Pride Allowable In Poets.

If I dare write to you, my lord, who are
Of your own self a public theatre,
And, sitting, see the wiles, ways, walks of wit,
And give a righteous judgment upon it,
What need I care, though some dislike me should,
If Dorset say what Herrick writes is good?
We know y'are learn'd i' th' Muses, and no less
In our state-sanctions, deep or bottomless.
Whose smile can make a poet, and your glance
Dash all bad poems out of countenance;
So that an author needs no other bays
For coronation than your only praise,
And no one mischief greater than your frown
To null his numbers, and to blast his crown.
Few live the life immortal. He ensures
His fame's long life who strives to set up yours.

Tell me, young man, or did the Muses bring
Thee less to taste than to drink up their spring,
That none hereafter should be thought, or be
A poet, or a poet-like but thee?
What was thy birth, thy star that makes thee known,
At twice ten years, a prime and public one?
Tell us thy nation, kindred, or the whence
Thou had'st and hast thy mighty influence,
That makes thee lov'd, and of the men desir'd,
And no less prais'd than of the maids admired.
Put on thy laurel then; and in that trim
Be thou Apollo or the type of him:
Or let the unshorn god lend thee his lyre,
And next to him be master of the choir.

How dull and dead are books that cannot show
A prince of Pembroke, and that Pembroke you!
You who are high born, and a lord no less
Free by your fate than fortune's mightiness,
Who hug our poems, honour'd sir, and then
The paper gild and laureate the pen.
Nor suffer you the poets to sit cold,
But warm their wits and turn their lines to gold.
Others there be who righteously will swear
Those smooth-paced numbers amble everywhere,
And these brave measures go a stately trot;
Love those, like these, regard, reward them not.
But you, my lord, are one whose hand along
Goes with your mouth or does outrun your tongue;
Paying before you praise, and, cockering wit,
Give both the gold and garland unto it.

Or look'd I back unto the times hence flown
To praise those Muses and dislike our own--
Or did I walk those Pæan-gardens through,
To kick the flowers and scorn their odours too--
I might, and justly, be reputed here
One nicely mad or peevishly severe.
But by Apollo! as I worship wit,
Where I have cause to burn perfumes to it;
So, I confess, 'tis somewhat to do well
In our high art, although we can't excel
Like thee, or dare the buskins to unloose
Of thy brave, bold, and sweet Maronian muse.
But since I'm call'd, rare Denham, to be gone,
Take from thy Herrick this conclusion:
'Tis dignity in others, if they be
Crown'd poets, yet live princes under thee;
The while their wreaths and purple robes do shine
Less by their own gems than those beams of thine.

For brave comportment, wit without offence,
Words fully flowing, yet of influence:
Thou art that man of men, the man alone,
Worthy the public admiration:
Who with thine own eyes read'st what we do write,
And giv'st our numbers euphony, and weight.
Tell'st when a verse springs high, how understood
To be, or not born of the Royal blood.
What state above, what symmetry below,
Lines have, or should have, thou the best canst show.
For which (my Charles) it is my pride to be,
Not so much known, as to be loved by thee.
Long may I live so, and my wreath of bays,
Be less another's laurel, than thy praise.

You are a lord, an earl, nay more, a man
Who writes sweet numbers well as any can;
If so, why then are not these verses hurled,
Like Sybil's leaves, throughout the ample world?
What is a jewel if it be not set
Forth by a ring or some rich carcanet?
But being so, then the beholders cry:
See, see a gem as rare as Belus' eye.
Then public praise does run upon the stone,
For a most rich, a rare, a precious one.
Expose your jewels then unto the view,
That we may praise them, or themselves prize you.
Virtue concealed, with Horace you'll confess,
Differs not much from drowsy slothfulness.