Henry Austin Dobson

Him best in all the dim Arthuriad,
Of lovers of fair women, him I prize,--
The Pagan Palomydes. Never glad
Was he with sweetness of his lady's eyes,
Nor joy he had.

But, unloved ever, still must love the same,
And riding ever through a lonely world,
Whene'er on adverse shield or crest he came,
Against the danger desperately hurled,
Crying her name.

So I, who strove to You I may not earn,
Methinks, am come unto so high a place,
That though from hence I can but vainly yearn
For that averted favour of your face,
I shall not turn.

No, I am come too high. Whate'er betide,
To find the doubtful thing that fights with me,
Toward the mountain tops I still shall ride,
And cry your name in my extremity,
As Palomyde,

Until the i...

To One who asked why he wrote it.


You ask me what was his intent?
In truth, I'm not a German;
'Tis plain though that he neither meant
A Lecture nor a Sermon.

But there it is,--the thing's a Fact.
I find no other reason
But that some scribbling itch attacked
Him in and out of season,

To write what no one else should read,
With this for second meaning,
To "cleanse his bosom" (and indeed
It sometimes wanted cleaning);

To speak, as 'twere, his private mind,
Unhindered by repression,
To make his motley life a kind,
Of Midas' ears confession;

And thus outgrew this work per se,--
This queer, kaleidoscopic,
Delightful, blabbing, vivid, free
Hotch-pot of daily topic.

So artless in its vanity,
So fl...

Old Loves and old dreams,--
"Requiescant in pace."
How strange now it seems,--
"Old" Loves and "old" dreams!
Yet we once wrote you reams
Maude, Alice, and Gracie!
Old Loves and old dreams,--
"Requiescant in pace."


When I called at the "Hollies" to-day,
In the room with the cedar-wood presses,
Aunt Deb. was just folding away
What she calls her "memorial dresses."

She'd the frock that she wore at fifteen,--
Short-waisted, of course--my abhorrence;
She'd "the loveliest"--something in "een"
That she wears in her portrait by Lawrence;

She'd the "jelick" she used--"as a Greek," (!)
She'd the habit she got her bad fall in;
She had e'en the blue moiré antique
That she opened Squire Grasshopper's ball in:--

New and old ...

In the year Seventeen Hundred and Seventy and Three,
When the GEORGES were ruling o'er Britain the free,
There was played a new play, on a new-fashioned plan,
By the GOLDSMITH who brought out the Good-Natur'd Man.
New-fashioned, in truth--for this play, it appears,
Dealt largely in laughter, and nothing in tears,
While the type of those days, as the learnèd will tell ye,
Was the CUMBERLAND whine or the whimper of KELLY.
So the Critics pooh-poohed, and the Actresses pouted,
And the Public were cold, and the Manager doubted;
But the Author had friends, and they all went to see it.
Shall we join them in fancy? You answer, So be it!
Imagine yourself then, good Sir, in a wig,
Either grizzle or bob--never mind, you look big.
You've a sword at your side, in your shoes there ar...

Even as one in city pent,
Dazed with the stir and din of town,
Drums on the pane in discontent,
And sees the dreary rain come down,
Yet, through the dimmed and dripping glass,
Beholds, in fancy, visions pass,
Of Spring that breaks with all her leaves,
Of birds that build in thatch and eaves,
Of woodlands where the throstle calls,
Of girls that gather cowslip balls,
Of kine that low, and lambs that cry,
Of wains that jolt and rumble by,
Of brooks that sing by brambly ways,
Of sunburned folk that stand at gaze,
Of all the dreams with which men cheat
The stony sermons of the street,
So, in its hour, the artist brain
Weary of human ills and woes,
Weary of passion, and of pain,
And vaguely craving for repose,
Deserts awhile the stage of strife

(To E. G., With A Collection Of Essays.)


When You and I have wandered beyond the reach of call,
And all our Works immortal lie scattered on the Stall,
It may be some new Reader, in that remoter age,
Will find the present volume and listless turn the page.

For him I speak these verses. And, Sir (I say to him),
This Book you see before you,--this masterpiece of Whim
Of Wisdom, Learning, Fancy (if you will, please, attend),--
Was written by its Author, who gave it to his Friend.

For they had worked together, been Comrades of the Pen;
They had their points at issue, they differed now and then;
But both loved Song and Letters, and each had close at heart
The hopes, the aspirations, the "dear delays" of Art.

And much they talked of Measures, and more ...

By A Gentleman Of The Temple.


While cynic CHARLES still trimm'd the vane
'Twixt Querouaille and Castlemaine,
In days that shocked JOHN EVELYN,
My First Possessor fixed me in.
In days of Dutchmen, and of frost,
The narrow sea with JAMES I cross'd,
Returning when once more began
The Age of Saturn and of ANNE.
I am a part of all the past;
I knew the GEORGES, first and last;
I have been oft where else was none
Save the great wig of ADDISON;
And seen on shelves beneath me grope
The little eager form of POPE.
I lost the Third that owned me when
French NOAILLES fled at Dettingen;
The year JAMES WOLFE surpris'd Quebec,
The Fourth in hunting broke his neck;
The day that WILLIAM HOGARTH dy'd,
The Fifth one found me in Cheapside.
This...

(We lay our story in the East.
Because 'tis Eastern? Not the least.
We place it there because we fear
To bring its parable too near,
And seem to touch with impious hand
Our dear, confiding native land.)


HAROUN ALRASCHID, in the days
He went about his vagrant ways,
And prowled at eve for good or bad
In lanes and alleys of BAGDAD,
Once found, at edge of the bazaar,
E'en where the poorest workers are,
A Carver.

Fair his work and fine
With mysteries of inlaced design,
And shapes of shut significance
To aught but an anointed glance,--
The dreams and visions that grow plain
In darkened chambers of the brain.

And all day busily he wrought
From dawn to eve, but no one bought;--
Save when some Jew with look askant,
...

Too oft we hide our Frailties' Blame
Beneath some simple-sounding Name!
So Folks, who in gilt Coaches ride,
Will call Display but Proper Pride;
So Spendthrifts, who their Acres lose,
Curse not their Folly but the Jews;
So Madam, when her Roses faint,
Resorts to ... anything but Paint.

An honest Uncle, who had plied
His Trade of Mercer in Cheapside,
Until his Name on 'Change was found
Good for some Thirty Thousand Pound,
Was burdened with an Heir inclined
To thoughts of quite a different Kind.
His Nephew dreamed of Naught but Verse
From Morn to Night, and, what was worse,
He quitted all at length to follow
That "sneaking, whey-faced God, APOLLO."
In plainer Words, he ran up Bills
At Child's, at Batson's and at Will's;
Discussed the Cla...

When do the reasoning Powers decline?
The Ancients said at Forty-Nine.
At Forty-Nine behoves it then
To quit the Inkhorn and the Pen,
Since ARISTOTLE so decreed.
Premising thus, we now proceed.

In that thrice-favoured Northern Land,
Where most the Flowers of Thought expand,
And all things nebulous grow clear,
Through Spectacles and Lager-Beer,
There lived, at Dumpelsheim the Lesser,
A certain High-Dutch Herr Professor.
Than GROTIUS more alert and quick,
More logical than BURGERSDYCK,
His Lectures both so much transcended,
That far and wide his Fame extended,
Proclaiming him to every clime
Within a Mile of Dumpelsheim.
But chief he taught, by Day and Night,
The Doctrine of the Stagirite,
Proving it fixed beyond Dispute,
In Ways th...

Monsieur the Curé down the street
Comes with his kind old face,--
With his coat worn bare, and his straggling hair,
And his green umbrella-case.

You may see him pass by the little "Grande Place,"
And the tiny "Hôtel-de-Ville";
He smiles, as he goes, to the fleuriste Rose,
And the pompier Théophile.

He turns, as a rule, through the "Marché" cool,
Where the noisy fish-wives call;
And his compliment pays to the "Belle Thérèse,"
As she knits in her dusky stall.

There's a letter to drop at the locksmith's shop,
And Toto, the locksmith's niece,
Has jubilant hopes, for the Curé gropes
In his tails for a pain d'épice.

There's a little dispute with a merchant of fruit,
Who is said to be heterodox,
That will ended be with a "Ma foi, oui...

The most oppressive Form of Cant
Is that of your Art-Dilettant:--
Or rather "was." The Race, I own,
To-day is, happily, unknown.

A Painter, now by Fame forgot,
Had painted--'tis no matter what;
Enough that he resolved to try
The Verdict of a critic Eye.
The Friend he sought made no Pretence
To more than candid Common-sense,
Nor held himself from Fault exempt.
He praised, it seems, the whole Attempt.
Then, pausing long, showed here and there
That Parts required a nicer Care,--
A closer Thought. The Artist heard,
Expostulated, chafed, demurred.

Just then popped in a passing Beau,
Half Pertness, half Pulvilio;--
One of those Mushroom Growths that spring
From Grand Tours and from Tailoring;--
And dealing much in terms of Art
Pi...

A Suggestion From Hogarth.


One knows the scene so well,--a touch,
A word, brings back again
That room, not garnished overmuch,
In gusty Drury Lane;

The empty safe, the child that cries,
The kittens on the coat,
The good-wife with her patient eyes,
The milkmaid's tuneless throat;

And last, in that mute woe sublime,
The luckless verseman's air:
The "Bysshe," the foolscap and the rhyme,--
The Rhyme ... that is not there!

Poor Bard! to dream the verse inspired--
With dews Castalian wet--
Is built from cold abstractions squired
By "Bysshe," his epithet!

Ah! when she comes, the glad-eyed Muse,
No step upon the stair
Betrays the guest that none refuse,--
She takes us unaware;

And tips with fire our ly...

"Emam tua carmina sanus?"--MARTIAL.

F.    OF H. I want a verse. It gives you little pains;--
You just sit down, and draw upon your brains.

Come, now, be amiable.

R.    To hear you talk,
You'd make it easier to fly than walk.
You seem to think that rhyming is a thing
You can produce if you but touch a spring;

That fancy, fervour, passion--and what not,

Are just a case of "penny in the slot."
You should reflect that no evasive bird
Is half so shy as is your fittest word;
And even similes, however wrought,
Like hares, before you cook them, must be caught;--

Impromptus, too, require elaboration,
And (unlike eggs) grow fresh by incubation;
Then,--as to epigrams,..

F. of H.    Nay, nay, I've done.
I did but make pe...

"Hoc est vivere."--MARTIAL.


The Printer's is a happy lot:
Alone of all professions,
No fateful smudges ever blot
His earliest "impressions."

The outgrowth of his youthful ken
No cold obstruction fetters;
He quickly learns the "types" of men,
And all the world of "letters."

With "forms" he scorns to compromise;
For him no "rule" has terrors;
The "slips" he makes he can "revise"--
They are but "printers' errors."

From doubtful questions of the "Press"
He wisely holds aloof;
In all polemics, more or less,
His argument is "proof."

Save in their "case," with High and Low,
Small need has he to grapple!
Without dissent he still can go
To his accustomed "Chapel,"[1]

From ills that others sca...

A Proper New Ballad Of The Country And The Town.

"Phyllida amo ante alias."
Virg.


The ladies of St. James's
Go swinging to the play;
Their footmen run before them,
With a "Stand by! Clear the way!"
But Phyllida, my Phyllida!
She takes her buckled shoon,
When we go out a-courting
Beneath the harvest moon.

The ladies of St. James's
Wear satin on their backs;
They sit all night at Ombre,
With candles all of wax:
But Phyllida, my Phyllida!
She dons her russet gown,
And runs to gather May dew
Before the world is down.

The ladies of St. James's!
They are so fine and fair,
You'd think a box of essences
Was broken in the air:
But Phyllida, my Phyllida!
The breath of heath and furze,
When breeze...

Hurrah! the Season's past at last;
At length we've "done" our pleasure.
Dear "Pater," if you only knew
How much I've longed for home and you,--
Our own green lawn and leisure!

And then the pets! One half forgets
The dear dumb friends--in Babel.
I hope my special fish is fed;--
I long to see poor Nigra's head
Pushed at me from the stable!

I long to see the cob and "Rob,"--
Old Bevis and the Collie;
And won't we read in "Traveller's Rest"!
Home readings after all are best;--
None else seem half so "jolly!"

One misses your dear kindly store
Of fancies quaint and funny;
One misses, too, your kind bon-mot;--
The Mayfair wit I mostly know
Has more of gall than honey!

How tired one grows of "calls and balls!"
This "tou...

AN EPILOGUE TO ANY BOOK

"Hic Finis chartaeque viaeque."

"FINIS at last--the end, the End, the END!
No more of paragraphs to prune or mend;
No more blue pencil, with its ruthless line,
To blot the phrase 'particularly fine';
No more of 'slips,' and 'galleys,' and 'revises,'
Of words 'transmogrified,' and 'wild surmises';
No more of n's that masquerade as u's,
No nice perplexities of p's and q's;
No more mishaps of ante and of post,
That most mislead when they should help the most;
No more of 'friend' as 'fiend,' and 'warm' as 'worm';
No more negations where we would affirm;
No more of those mysterious freaks of fate
That make us bless when we should execrate;
No more of those last blunders that remain
Where we no more can set them right again;<...