Henry Lawson

We, three men of commerce,
Striving wealth to raise,
See but little promise
In the coming days;
Though our hearts are brittle,
Hardened near to stone,
We can think a little
Of the seasons flown.

Lily days and rose days:
Youthful days so bright;
We were fools in those days,
Let’s be fools to-night.

We, three men of commerce,
Men of business we,
Gave but little promise
Of what we would be
When we wandered urchins,
Foes of law and rule,
Fearing only birchings
And the village school.

Lily days and rose days,
Boyhood’s days so bright;
We were fools in those days,
Let’s be fools to-night.

We, three men of commerce,
Men of business we,
Gave but little promise
Of ability
When we lived ...

I scorn the man, a fool at most,
And ignorant and blind,
Who loves to go about and boast
“He understands mankind.”
I thought I had that knowledge too,
And boasted it with pride,
But since, I’ve learned that human hearts
Cannot be classified.

In days when I was young and wild
I had no vanity,
I always thought when women smiled
That they were fooling me.
I was content to let them fool,
And let them deem I cared;
For, tutored in a narrow school,
I held myself prepared.

But Lily had a pretty face,
And great blue Irish eyes,
And she was fair as any race
Beneath the Northern skies,
The sweetest voice I ever heard,
Although it was unschooled.
So for a season I preferred
By Lily to be fooled.

A friend embittere...

MaCleay Street looks to Mosman,
Across the other side,
With brave asphalted pavements
And roadway clean and wide.
Macleay Street hath its mansions,
Its grounds and greenery;
Macleay Street hath its terraces
As terraces should be.

Red Rock Lane looks to nowhere,
With pockets into hell;
Red Rock Lane is a horror
Of heat and dirt and smell.
Red Rock Lane hath its brothels,
Of houses one in three;
Red Rock Lane hath its corner pubs
As fourth-rate pubs should be.

Macleay Street, cool and quiet,
Is marked off from the town,
And standing in the centre
The tall arc lamps look down.
The jealous closed cabs vanish
That stole from out the row,
Fair women stroll bareheaded,
And theatre parties go.

Red Rock Lane, ho...

You almost heard the surface bake, and saw the gum-leaves turn,
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak,
'Twould frighten Satan to his home, not far from Dingo Creek.

The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel,
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer,
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.

`...

They'd parted but a year before, she never thought he’d come,
She stammer’d, blushed, held out her hand, and called him ‘Mister Gum.’
How could he know that all the while she longed to murmur ‘John.’
He called her ‘Miss le Brook,’ and asked how she was getting on.

They’d parted but a year before; they’d loved each other well,
But he’d been to the city, and he came back such a swell.
They longed to meet in fond embrace, they hungered for a kiss,
But Mary called him ‘Mister,’ and the idiot called her ‘Miss.’

He stood and lean’d against the door, a stupid chap was he,
And, when she asked if he’d come in and have a cup of tea,
He looked to left, he looked to right, and then he glanced behind,
And slowly doffed his cabbage-tree, and said he ‘didn’t mind.’

She made a ...

Jim Duff was a ‘native,’as wild as could be;
A stealer and duffer of cattle was he,
But back in his youth he had stolen a pearl
Or a diamond rather the heart of a girl;
She served with a squatter who lived on the plain,
And the name of the girl it was Mary Lemaine.

’Twas a drear, rainy day and the twilight was done,
When four mounted troopers rode up to the run.
They spoke to the squatter he asked them all in.
The homestead was small and the walls they were thin;
And in the next room, with a cold in her head,
Our Mary was sewing on buttons in bed.

She heard a few words, but those words were enough
The troopers were all on the track of Jim Duff.
The super, his rival, was planning a trap
To capture the scamp in Maginnis’s Gap.
‘I’ve warned him before...

Tall and freckled and sandy,
Face of a country lout;
This was the picture of Andy,
Middleton's Rouseabout.

Type of a coming nation,
In the land of cattle and sheep,
Worked on Middleton's station,
`Pound a week and his keep.'

On Middleton's wide dominions
Plied the stockwhip and shears;
Hadn't any opinions,
Hadn't any `idears'.

Swiftly the years went over,
Liquor and drought prevailed;
Middleton went as a drover,
After his station had failed.

Type of a careless nation,
Men who are soon played out,
Middleton was: and his station
Was bought by the Rouseabout.

Flourishing beard and sandy,
Tall and robust and stout;
This is the picture of Andy,
Middleton's Rouseabout.

Now on his own dominio...

Only one old post is standing,
Solid yet, but only one,
Where the milking, and the branding,
And the slaughtering were done.
Later years have brought dejection,
Care, and sorrow; but we knew
Happy days on that selection
Underneath old Bukaroo.

Then the light of day commencing
Found us at the gully's head,
Splitting timber for the fencing,
Stripping bark to roof the shed.
Hands and hearts the labour strengthened;
Weariness we never knew,
Even when the shadows lengthened
Round the base of Bukaroo.

There for days below the paddock
How the wilderness would yield
To the spade, and pick, and mattock,
While we toiled to win the field.
Bronzed hands we used to sully
Till they were of darkest hue,
`Burning off' down in the gull...

My Army, O, my army! The time I dreamed of comes!
I want to see your colours; I want to hear your drums!
I heard them in my boyhood when all men’s hearts seemed cold;
I heard them as a Young Man, and I am growing old!
My army, O, my army! The signs are manifold!

My army, O, my army! My army and my Queen!
I used to sing your battle-songs when I was seventeen!
They came to me from ages, they came from far and near;
They came to me from Paris, they came to me from Here!,
They came when I was marching with the Army of the Rear.

My Queen’s dark eyes were flashing (oh, she was younger then!);
My Queen’s Red Cap was redder than the reddest blood of men!
My Queen marched like an Amazon, with anger manifest,
Her dark hair darkly matted from a knifegash in her breast
...

My father-in-law is a careworn man,
And a silent man is he;
But he summons a smile as well as he can
Whenever he meets with me.
The sign we make with a silent shake
That speaks of the days gone by,
Like men who meet at a funeral,
My father-in-law and I.

My father-in-law is a sober man
(And a virtuous man, I think);
But we spare a shilling whenever we can,
And we both drop in for a drink.
Our pints they fill, and we say, “Ah, well!”
With the sound of the world-old sigh,
Like the drink that comes after a funeral,
My father-in-law and I.

My father-in-law is a kindly man,
A domestic man is he.
He tries to look cheerful as well as he can
Whenever he meets with me.
But we stand and think till the second drink
In a silence that mi...

They have eaten their fill at your tables spread,
Like friends since the land was won;
And they rise with a cry of "Australia's dead!"
With the wheeze of "Australia's done!"
Oh, the theme is stale, but they tell the tale
(How the weak old tale will keep!)
Like the crows that croak on a splintered rail,
That have gorged on a rotten sheep.

I would sing a song in your darkest hour
In your darkest hour and mine,
For I see the dawn of your wealth and power,
And I see your bright star shine.
The little men yelp and the little men lie,
And they spread the lies afar;
But we heed them never, my Land and I,
For we know how small they are.

They know you not in a paltry town,
In the streets where great hopes die,
Oh, heart that never a flood could dr...

Once I wrote a little poem which I thought was very fine,
And I showed the printer’s copy to a critic friend of mine,
First he praised the thing a little, then he found a little fault;
‘The ideas are good,’ he muttered, ‘but the rhythm seems to halt.’

So I straighten’d up the rhythm where he marked it with his pen,
And I copied it and showed it to my clever friend again.
‘You’ve improved the metre greatly, but the rhymes are bad,’ he said,
As he read it slowly, scratching surplus wisdom from his head.

So I worked as he suggested (I believe in taking time),
And I burnt the ‘midnight taper’ while I straightened up the rhyme.
‘It is better now,’ he muttered, ‘you go on and you’ll succeed,
‘It has got a ring about it, the ideas are what you need.’

So I worked for ho...

The world goes round, old fellow,
And still I’m in the swim,
While my wife’s second husband
Is growing old and grim.
I meet him in the city,
It all seems very tame,
He glances at me sometimes
As if I were to blame.

Oh, my wife’s second husband
Was handsome, young and true;
He had his boyish visions
(I had my visions too).
He made a model lover,
The greenest in the game,
They say, when I was married
That I was just the same.

Though I am ten years older
My hair is dark to-day,
While my wife’s second husband
Is quickly growing grey.
I drank when first he knew me,
And he drank not at all;
I see that he, through drinking,
Is going to the wall.

A sweet ill-treated woman,
A drunken brute (Good Lord!),

It is night-time when the saddest and the darkest memories haunt,
When outside the printing office the most glaring posters flaunt,
When the love-wrong is accomplished. And I think of things and mark
That the blackest lies are written, told, and printed after dark.
’Tis the time of “late editions”. It is night when, as of old,
Foulest things are done for hatred, for ambition, love and gold.

Racing from the senseless city down the dull suburban streets,
Come again the ragged newsboys yelping with their paltry sheets,
Lying posters meaning nothing, double columns meaning less,
Twisted facts and reckless falsehoods, dodges of the Daily Press.
In the town the roar and rattle of the great machines once more,
Greedy for the extra penny, while the “Public” howls for war.

War...

By hut, homestead and shearing shed,
By railroad, coach and track,
By lonely graves where rest the dead,
Up-Country and Out-Back:
To where beneath the clustered stars
The dreamy plains expand,

My home lies wide a thousand miles
In Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the skyline sweeps the waving grass,
Or whirls the scorching sand,
A phantom land, a mystic realm!
The Never-Never Land.

Where lone Mount Desolation lies
Mounts Dreadful and Despair,
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor-west by No-Man's Land
Where clouds are seldom seen
To where the cattle stations lie
Thr...

The breezes blow on the river below,
And the fleecy clouds float high,
And I mark how the dark green gum trees match
The bright blue dome of the sky.
The rain has been, and the grass is green
Where the slopes were bare and brown,
And I see the things that I used to see
In the days ere my head went down.
I have found a light in my long dark night,
Brighter than stars or moon;
I have lost the fear of the sunset drear,
And the sadness of afternoon.
Here let us stand while I hold your hand,
Where the light’s on your golden head,
Oh! I feel the thrill that I used to feel
In the days ere my heart was dead.

The storm’s gone by, but my lips are dry
And the old wrong rankles yet,
Sweetheart or wife, I must take new life
From your red lips warm and ...

There's a light out there in the nearer east
In the dawn of Nineteen Nine;
There’s the old ghost light in the salty yeast
Where the black rocks meet the brine.
Here’s the same old strife and toil in vain,
Here’s the same old hope and doubt,
Here’s the same old useless care and pain,
And the sea is my way out,
My dear,
The sea is my way out.
’Tis a grey and a sad old sea for me,
With a growing grey head too.
Oh, the heads were brown and the eyes were bright
When the sea was white and blue.
It was round the world and home again,
We could turn and turn about,
And the sea means exile now in vain,
But the sea is my way out,
My dear,
The sea is my way out.

Arming down along the stream,
Along the sparkling water,
And past the pool where lilies gleam,
There comes the squatter’s daughter.

Her eyes are kind; her lips are warm;
And like a flower her face is;
The habit shows her bonny form
As graceful as a Grace’s.

O I’ll be mad of love, I know;
My head she’ll surely addle;
O Cupid, Cupid; get your bow;
And shoot her from the saddle!

For, like a bird on breezes waft,
She quickly, quickly passes;
O Cupid, Cupid, draw your shaft;
And bring her to the grasses!

O she is worthy game for you;
And there is none to match her.
So, Cupid, send your arrow true;
And I’ll be there to catch her!