The vast and solemn company of clouds
Around the Sun's death, lit, incarnadined,
Cool into ashy wan; as Night enshrouds
The level pasture, creeping up behind
Through voiceless vales, o'er lawn and purpled hill
And hazd mead, her mystery to fulfil.
Cows low from far-off farms; the loitering wind
Sighs in the hedge, you hear it if you will,
Tho' all the wood, alive atop with wings
Lifting and sinking through the leafy nooks,
Seethes with the clamour of a thousand rooks.
Now every sound at length is hush'd away.
These few are sacred moments. One more Day
Drops in the shadowy gulf of bygone things.

The long grief left her old--and then
Came love and made her young again
As though some newer, gentler Spring
Should start dead roses blossoming;
Old roses that have lain full long
In some forgotten book of song,
Brought from their darkness to be one
With lilting winds and rain and sun;
And as they too might bring away
From that dim volume where they lay
Some lyric hint, some song's perfume
To add its beauty to their bloom,
So love awakes her heart that lies
Shrouded in fragrant memories,
And bids it bloom again and wake
Sweeter for that old sorrow's sake.

Say little: where she lies, so let her rest:
What cares she now for Fame, and what for Art?
What for applause? She has played out her part.
Her hands are folded calmly on her breast,
God knows the best!

She has gone down, as all must go, to where
The players of the past are lying low,
Players who played their parts out long ago,
With the life-hue still bright on lips and hair
And forehead fair.

Cheek’s colour, poise of head, and flash of eye
Who will remember them when we are dead?
Whom that is dead have we rememberèd?
The end is one although we smile or sigh,
We live; we die.

Bitter to some is Death, to some is sweet,
Sweetest to youth and bitterest to age;
But simple is the costume for the stage,
The darkened stage of death, and v...

As a beam o'er the face of the waters may glow
While the tide runs in darkness and coldness below,
So the cheek may be tinged with a warm sunny smile,
Though the cold heart to ruin runs darkly the while.

One fatal remembrance, one sorrow that throws
Its bleak shade alike o'er our joys and our woes.
To which life nothing darker or brighter can bring
For which joy has no balm and affliction no sting--

Oh! this thought in the midst of enjoyment will stay,
Like a dead, leafless branch in the summer's bright ray;
The beams of the warm sun play round it in vain,
It may smile in his light, but it blooms not again.

Out of the melancholy that is made
Of ebbing sorrow that too slowly ebbs,
Comes back a sighing whisper of the reed,
A note in new love-pipings on the bough,
Grieving with grief till all the full-fed air
And shaken milky corn doth wot of it,
The pity of it trembling in the talk
Of the beforetime merrymaking brook -
Out of that melancholy will the soul,
In proof that life is not forsaken quite
Of the old trick and glamour which made glad;
Be cheated some good day and not perceive
How sorrow ebbing out is gone from view,
How tired trouble fall'n for once on sleep,
How keen self-mockery that youth's eager dream
Interpreted to mean so much is found
To mean and give so little - frets no more,
Floating apart as on a cloud - O then
Not e'en so much as murmur...

As the kindling glances,
Queen-like and clear,
Which the bright moon lances
From her tranquil sphere
At the sleepless waters
Of a lonely mere,
On the wild whirling waves, mournfully, mournfully,
Shiver and die.

As the tears of sorrow
Mothers have shed
Prayers that tomorrow
Shall in vain be sped
When the flower they flow for
Lies frozen and dead
Fall on the throbbing brow, fall on the burning breast,
Bringing no rest.

Like bright waves that fall
With a lifelike motion
On the lifeless margin of the sparkling Ocean;
A wild rose climbing up a mouldering wall
A gush of sunbeams through a ruined hall
Strains of glad music at a funeral
So sad, and with so wild a start
To this deep-sobered heart,
So anxiously and pai...

Quella fenestra, ove l' un sol si vede.

RECOLLECTIONS OF LOVE.


    That window where my sun is often seen
Refulgent, and the world's at morning's hours;
And that, where Boreas blows, when winter lowers,
And the short days reveal a clouded scene;
That bench of stone where, with a pensive mien,
My Laura sits, forgetting beauty's powers;
Haunts where her shadow strikes the walls or flowers,
And her feet press the paths or herbage green:
The place where Love assail'd me with success;
And spring, the fatal time that, first observed,
Revives the keen remembrance every year;
With looks and words, that o'er me have preserved
A power no length of time can render less,
Call to my eyes the sadly-soothing tear.

PENN.


    Tha...

If men can say that beauty dies,
Marbles will swear that here it lies.
If, reader, then thou canst forbear
In public loss to shed a tear,
The dew of grief upon this stone
Will tell thee pity thou hast none.

I

No more for him, where hills look down,
Shall Morning crown
Her rainy brow with blossom bands! -
The Morning Hours, whose rosy hands
Drop wildflowers of the breaking skies
Upon the sod 'neath which he lies. -
No more for him! No more! No more!

II

No more for him, where waters sleep,
Shall Evening heap
The long gold of the perfect days!
The Eventide, whose warm hand lays
Great poppies of the afterglow
Upon the turf he rests below. -
No more for him! No more! no more!

Ill

No more for him, where woodlands loom,
Shall Midnight bloom
The star-flowered acres of the blue!
The Midnight Hours, whose dim hands strew
Dead leaves of darkness, hushed and deep,
Upon the grave where he doth sleep. -
No more f...

1.
That time is dead for ever, child!
Drowned, frozen, dead for ever!
We look on the past
And stare aghast
At the spectres wailing, pale and ghast,
Of hopes which thou and I beguiled
To death on life's dark river.

2.
The stream we gazed on then rolled by;
Its waves are unreturning;
But we yet stand
In a lone land,
Like tombs to mark the memory
Of hopes and fears, which fade and flee
In the light of life's dim morning.

"I shall not soon forget that sight
The glow of Autumn's westering day,
A hazy warmth, a dreamy light,
On Raphael's picture lay.

It was a simple print I saw,
The fair face of a musing boy;
Yet, while I gazed, a sense of awe
Seemed blending with my joy.

A simple print, the graceful flow
Of boyhood's soft and wavy hair,
And fresh young lip and cheek, and brow
Unmarked and clear, were there.

Yet through its sweet and calm repose
I saw the inward spirit shine;
It was as if before me rose
The white veil of a shrine.

As if, as Gothland's sage has told,
The hidden life, the man within,
Dissevered from its frame and mould,
By mortal eye were seen.

Was it the lifting of that eye,
The waving of that pictured hand?

Ah! the solace in the sitting,
Sitting by the fire,
When the wind without is calling
And the fourfold clouds are falling,
With the rain-racks intermitting,
Over slope and spire.
Ah! the solace in the sitting,
Sitting by the fire.

Then, and then, a man may ponder,
Sitting by the fire,
Over fair far days, and faces
Shining in sweet-coloured places
Ere the thunder broke asunder
Life and dear Desire.
Thus, and thus, a man may ponder,
Sitting by the fire.

Waifs of song pursue, perplex me,
Sitting by the fire:
Just a note, and lo, the change then!
Like a child, I turn and range then,
Till a shadow starts to vex me
Passion’s wasted pyre.
So do songs pursue, perplex me,
Sitting by the fire.

Night by night the o...

    Love, if I weep it will not matter,
        And if you laugh I shall not care;
    Foolish am I to think about it,
        But it is good to feel you there.

    Love, in my sleep I dreamed of waking,--
        White and awful the moonlight reached
    Over the floor, and somewhere, somewhere,
        There was a shutter loose,--it screeched!

    Swung in the wind,--and no wind blowing!--
        I was afraid, and turned to you,
    Put out my hand to you for comfort,--
        And you were gone!    Cold, cold as dew,

    Under my hand the moonlight lay!
        Love, if you laugh I shall not care,
    But if I weep it will not matter,--
        Ah, it is good to feel you there!

Poi che 'l cammin m' è chiuso di mercede.

THOUGH FAR FROM LAURA, SOLITARY AND UNHAPPY, ENVY STILL PURSUES HIM.


    Since mercy's door is closed, alas! to me,
And hopeless paths my poor life separate
From her in whom, I know not by what fate,
The guerdon lay of all my constancy,
My heart that lacks not other food, on sighs
I feed: to sorrow born, I live on tears:
Nor therefore mourn I: sweeter far appears
My present grief than others can surmise.
On thy dear portrait rests alone my view,
Which nor Praxiteles nor Xeuxis drew,
But a more bold and cunning pencil framed.
What shore can hide me, or what distance shield,
If by my cruel exile yet untamed
Insatiate Envy finds me here concealed?

MACGREGOR.

    I never heard
Of any true affection, but ’twas nipt
With care, that, like the caterpillar, eats
The leaves of the spring’s sweetest book, the rose.
- MIDDLETON.



It is a common practice with those who have outlived the susceptibility of early feeling, or have been brought up in the gay heartlessness of dissipated life, to laugh at all love stories, and to treat the tales of romantic passion as mere fictions of novelists and poets. My observations on human nature have induced me to think otherwise. They have convinced me that, however the surface of the character may be chilled and frozen by the cares of the world, or cultivated into mere smiles by the arts of society, still there are dormant fires lurking in the depths of the coldest bosom, which, when once enkindled, become impetuous, ...

Died at Hartford, August 4th, 1861; and his wife, Mrs. ELIZA STORRS TRUMBULL, the night after his funeral.


Death's shafts fly thick, and love a noble mark.
--And one hath fallen who bore upon his shield
The name and lineage of an honor'd race
Who gave us rulers in those ancient days
Where truth stood first and gain was left behind.

--His was the type of character that makes
Republics strong,--unstain'd fidelity,--
A dignity of mind that mark'd unmov'd
The unsought honors clustering round his path,
And chang'd them into duties. With firm step
On the high places of the earth he walk'd,
Serving his Country, not to share her spoils,
Nor pamper with exciting eloquence
A parasite ambition.
                    With clear eye
And cautious speech, and...

The sweetest blossoms die.
    And so it was that, going day by day
    Unto the church to praise and pray,
And crossing the green churchyard thoughtfully,
    I saw how on the graves the flowers
    Shed their fresh leaves in showers,
And how their perfume rose up to the sky
    Before it passed away.

The youngest blossoms die.
    They die, and fall and nourish the rich earth
    From which they lately had their birth;
Sweet life, but sweeter death that passeth by
    And is as though it had not been: -
    All colors turn to green:
The bright hues vanish, and the odours fly,
    The grass hath lasting worth.

And youth and beauty die.
    So be it, O my God, Thou God of truth:
    Better than beauty and than youth
Are Saints and An...

"Thou shalt be - Nothing." - OMAR KHAYYAM.
"Tombless, with no remembrance." - W. SHAKESPEARE.

Dead shalt thou lie; and nought
Be told of thee or thought,
For thou hast plucked not of the Muses' tree:
And even in Hades' halls
Amidst thy fellow-thralls
No friendly shade thy shade shall company!