Does he want you down there
In the Nether Glooms where
The hours may be a dragging load upon him,
As he hears the axle grind
Round and round
Of the great world, in the blind
Still profound
Of the night-time? He might liven at the sound
Of your string, revealing you had not forgone him.

In the gallery west the nave,
But a few yards from his grave,
Did you, tucked beneath his chin, to his bowing
Guide the homely harmony
Of the quire
Who for long years strenuously -
Son and sire -
Caught the strains that at his fingering low or higher
From your four thin threads and eff-holes came outflowing.

And, too, what merry tunes
He would bow at nights or noons
That chanced to find him bent to lute a measure,
When he made you speak his h...

Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.

O happiness, I know not what far seas,
Blue hills and deep, thy sunny realms surround,
That thus in Music's wistful harmonies
And concert of sweet sound
A rumor steals, from some uncertain shore,
Of lovely things outworn or gladness yet in store:

Whether thy beams be pitiful and come,
Across the sundering of vanished years,
From childhood and the happy fields of home,
Like eyes instinct with tears
Felt through green brakes of hedge and apple-bough
Round haunts delightful once, desert and silent now;

Or yet if prescience of unrealized love
Startle the breast with each melodious air,
And gifts that gentle hands are donors of
Still wait intact somewhere,
Furled up all golden in a perfumed place
Within the folded petals of forthcoming days.
<...

Well, I was tired of life; the silly folk,
The tiresome noises, all the common things
I loved once, crushed me with an iron yoke.
I longed for the cool quiet and the dark,
Under the common sod where louts and kings
Lie down, serene, unheeding, careless, stark,
Never to rise or move or feel again,
Filled with the ecstasy of being dead....

I put the shining pistol to my head
And pulled the trigger hard -- I felt no pain,
No pain at all; the pistol had missed fire
I thought; then, looking at the floor, I saw
My huddled body lying there -- and awe
Swept over me. I trembled -- and looked up.
About me was -- not that, my heart's desire,
That small and dark abode of death and peace --
But all from which I sought a vain release!
The sky, the people and the ...

Yes I will take a cheerful tone
And feign to share their heartless glee,
But I would rather weep alone
Than laugh amid their revelry.

I
Is it Midsummer here in the heavens that illumine October on earth?
Can the year, when his heart is fulfilled with desire of the days of his mirth,
Redeem them, recall, or remember?
For a memory recalling the rapture of earth, and redeeming the sky,
Shines down from the heights to the depths: will the watchword of dawn be July
When to-morrow acclaims November?
The stern salutation of sorrow to death or repentance to shame
Was all that the season was wont to accord her of grace or acclaim;
No lightnings of love and of laughter.
But here, in the laugh of the loud west wind from around and above,
In the flash of the waters beneath him, what sound or what light but of love
Rings round him or leaps forth after?

II
Wind beloved of earth and sky and sea beyond all wind...

I

How beautiful when up a lofty height
Honour ascends among the humblest poor,
And feeling sinks as deep! See there the door
Of One, a Widow, left beneath a weight
Of blameless debt. On evil Fortune's spite
She wasted no complaint, but strove to make
A just repayment, both for conscience-sake
And that herself and hers should stand upright
In the world's eye. Her work when daylight failed
Paused not, and through the depth of night she kept
Such earnest vigils, that belief prevailed
With some, the noble Creature never slept;
But, one by one, the hand of death assailed
Her children from her inmost heart bewept.

II

The Mother mourned, nor ceased her tears to flow,
Till a winter's noonday placed her buried Son
Before her eyes, last child...

I

I would that folk forgot me quite,
Forgot me quite!
I would that I could shrink from sight,
And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
Of my day's work as done.

II

Ah! dairy where I lived so long,
I lived so long;
Where I would rise up stanch and strong,
And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat -
Loved me, and learnt to call me sweet,
And whispered words to me.

III

And now he's gone; and now he's gone; . . .
And now he's gone!
The flowers we potted p'rhaps are thrown
To rot upon the farm.
And where we had our supper-fire
May now grow nettle, do...

    Poor wounded heart, farewell!
        Thy hour of rest is come;
        Thou soon wilt reach thy home,
    Poor wounded heart, farewell!
The pain thou'lt feel in breaking
    Less bitter far will be,
Than that long, deadly aching,
    This life has been to thee.

    There--broken heart, farewell!
        The pang is o'er--
        The parting pang is o'er;
        Thou now wilt bleed no more.
    Poor broken heart, farewell!
No rest for thee but dying--
    Like waves whose strife is past,
On death's cold shore thus lying,
    Thou sleepst in peace at last--
        Poor broken heart, farewell!

Night, dim night, and it rains, my love, it rains,
(Art thou dreaming of me, I wonder)
The trees are sad, and the wind complains,
Outside the rolling of the thunder,
And the beat against the panes.

Heart, my heart, thou art mournful in the rain,
(Are thy redolent lips a-quiver?)
My soul seeks thine, doth it seek in vain?
My love goes surging like a river,
Shall its tide bear naught save pain?

If this importunate heart trouble your peace
With words lighter than air,
Or hopes that in mere hoping flicker and cease;
Crumple the rose in your hair;
And cover your lips with odorous twilight and say,
"O Hearts of wind-blown flame!
O Winds, older than changing of night and day,
That murmuring and longing came
From marble cities loud with tabors of old
In dove-grey faery lands;
From battle-banners, fold upon purple fold,
Queens wrought with glimmering hands;
That saw young Niamh hover with love-lorn face
Above the wandering tide;
And lingered in the hidden desolate place
Where the last Phoenix died,
And wrapped the flames above his holy head;
And still murmur and long:
O piteous Hearts, changing till change be dead
In a tumultuous song':
...

The memory of what we've lost
Is with us more than what we've won;
Perhaps because we count the cost
By what we could, yet have not done.

'Twixt act and purpose fate hath drawn
Invisible threads we can not break,
And puppet-like these move us on
The stage of life, and break or make.

Less than the dust from which we're wrought,
We come and go, and still are hurled
From change to change, from naught to naught,
Heirs of oblivion and the world.

THE ARGUMENT.

Pizarro takes possession of Cuzco - the fanaticism of Valverde, a Spanish priest - its dreadful effects - A Peruvian priest put to the torture - his daughter's distress - he is rescued by Las Casas, an amiable Spanish ecclesiastic, and led to a place of safety, where he dies - his daughter's narration of her sufferings - her death.


PERU.

CANTO THE THIRD.

Now stern Pizarro seeks the distant plains,
Where beauteous Cusco lifts her golden fanes:
The meek Peruvians gaz'd in pale dismay,
Nor barr'd the dark oppressor's sanguine way:
And soon on Cusco, where the dawning light                                                    
Of glory shone, foretelling day more bright,
Where the young arts had shed unfolding flowers,
A scene...

Fragment of a Dream.--The great Painters supposed to be Magicians.--The Beginnings of the Art.--Gildings on the Glories and Draperies.-- Improvements under Giotto, etc.--The first Dawn of the true Style in Masaccio.--Studied by all the great Artists who followed him.--Leonardo da Vinci, with whom commenced the Golden Age of Painting.--His Knowledge of Mathematics and of Music.--His female heads all like each other.-- Triangular Faces.--Portraits of Mona Lisa, etc.--Picture of Vanity and Modesty.--His chef-d'oeuvre, the Last Supper.--Faded and almost effaced.


Filled with the wonders I had seen
    In Rome's stupendous shrines and halls,
I felt the veil of sleep serene
Come o'er the memory of each scene,
    As twilight o'er the landscape falls.
Nor was it slumber, sound and deep,

Sunlight upon Judha's hills!
And on the waves of Galilee;
On Jordan's stream, and on the rills
That feed the dead and sleeping sea!
Most freshly from the green wood springs
The light breeze on its scented wings;
And gayly quiver in the sun
The cedar tops of Lebanon!

A few more hours, a change hath come!
The sky is dark without a cloud!
The shouts of wrath and joy are dumb,
And proud knees unto earth are bowed.
A change is on the hill of Death,
The helmed watchers pant for breath,
And turn with wild and maniac eyes
From the dark scene of sacrifice!

That Sacrifice! the death of Him,
The Christ of God, the holy One!
Well may the conscious Heaven grow dim,
And blacken the beholding, Sun.
The wonted light hath fled away,
Night s...

The reeds are idly waving o'er the marshy ground,
The rank and ragged herbage rots on many a mound,
And desolate pools and marshes deadly lie around.

There is no life nor motion, save the winds that fly
With the close-muffled clouds in silence through the sky,
There is no sound to stir it, save the Bittern's cry;

The Bittern, sitting sadly on the fluted edges
Of pillars once the prop and pride of palace ledges,
Now smear'd with damp decay and sunk in slimy sedges;

Shatter'd and sunken, with the sculptured architrave
Peering above the surface of the sluggish wave,
Like a gaunt limb thrust fleshless from a shallow grave.

The Bittern sitteth sadly on the time-worn stone,
Upon life's mouldering relics, fearfully alone,
Searing the silence ofttimes wi...

It is not death, that sometime in a sigh
This eloquent breath shall take its speechless flight;
That sometime these bright stars, that now reply
In sunlight to the sun, shall set in night;
That warm conscious flesh shall perish quite,
And all life's ruddy springs forget to flow;
That thoughts shall cease, and the immortal sprite
Be lapp'd in alien clay and laid below;
It is not death to know this, - but to know
That pious thoughts, which visit at new graves
In tender pilgrimage, will cease to go
So duly and so oft, - and when grass waves
Over the past-away, there may be then
No resurrection in the minds of men.

I come, ye little noisy Crew,
Not long your pastime to prevent;
I heard the blessing which to you
Our common Friend and Father sent.
I kissed his cheek before he died;
And when his breath was fled,
I raised, while kneeling by his side,
His hand:, it dropped like lead.
Your hands, dear Little-ones, do all
That can be done, will never fall
Like his till they are dead.
By night or day blow foul or fair,
Ne'er will the best of all your train
Play with the locks of his white hair,
Or stand between his knees again.
Here did he sit confined for hours;
But he could see the woods and plains,
Could hear the wind and mark the showers
Come streaming down the streaming panes.
Now stretched beneath his grass-green mound
He rests a prisoner of the ground....